Full of musical and dramatic fantasy, The Fairy Queen was inspired by Shakespeare’s A Midsummer Night’s Dream. The fashion of the time stipulated that Shakespeare’s plot be acted out in prose scenes, supplemented with musical, vocal and dance interludes featuring allegorical figures, supernatural beings and mortal humans as well.

The musical interludes – though they depict a world entirely different from the prose elements – always relate conceptually to the plot running in parallel to it. The piece is a true challenge for theatres’ creative teams: it must create a fairy-tale world broad enough to have space for the worlds of humans and fairies, the Night and the Seasons, the Chinese Man and Daphne, the forest, and Puck, who sprinkles charms into sleeping lovers’ eyes.

This formidable challenge of a piece is being brought to life by András Almási-Tóth, head of the opera department at the music academy. He conceives the work as an opera and incorporates the music into a new story. This version of the popular comedy by the Bard takes place in an urban woodland, with lonely characters, crime, murder and love. The figure of the Fairy Queen here is a kind of femme fatale: a woman in search of herself and her own happiness and finding neither as she flees from one relationship to the next.

Conductor: Benjamin Bayl
Director: András Almási-Tóth
Set designer: Sebastian Hannak
Costume designer: Krisztina Lisztopád
Movement director: Kristóf Widder
Musical interlude: Kornál Fekete-Kovács

Featuring the Hungarian State Opera Orchestra and the Fekete-Kovács Quintet

Cast: Emőke Baráth, Péter Fried, Gianluca Margheri, Nóra Ducza, Zita Szemere, Zoltán Daragó, Gyula Rab, Tibor Szappanos

Premiere: 17 June 2016, 7 p.m. | Opera House
Further dates: 19, 21, 23 June 2016

Source: opera.hu