- 3 Oct 2016 9:04 AM
In everyday speech, I use contemporary as a synonym for modern and only recently discovered that when it comes to Art (with a capital A), the two terms are a lifetime apart. Modern Art spans the period from the 1860s to the 1970s and would appear to be an umbrella term for more than forty different movements ranging from Impressionism to Art Nouveau to Cubism to Bauhaus to Surrealism – the mind boggles.
Post-modernism, as it implies, comes after Modernism. Being a sixties child living among contemporaries, I then naturally thought that post-modernism was synonymous with contemporary. But strictly speaking, it isn’t. ‘It refers to a fixed period (say 50 years in length) beginning about 1970’. But wouldn’t that make it contemporary, I wondered? Yes and no.
‘Contemporary art refers to the moving 50-year period immediately before the present.’ So today, in 2016, they’re one and the same. But in a few years’ time, say in 2050 ‘post-modern art (1970–2020) will have been superceded by another era, while contemporary art will now cover the period 2000–2050. So the two will have diverged.’ It’s amazing where Google can take you.
But why am I obsessing?
The 25th Café Budapest Contemporary Arts Festival (formerly the Autumn Arts Festival) opens its curtains next month and I was curious what they meant by Contemporary Art. Now I know. The programme is chock full of theatre, concerts (classical and popular), dance performances, visual art exhibitions, and even a circus. Hungarian stars feature, of course, but alongside them are world class international performers, with a particular focus this year on Polish art and artists. Events are lined up for venues all over town from A38 and Akvárium to Müpa and Millenáris.
For me, the pick of the programme is the World Premiere of The Birth of Color, A Marriage of Darkness and Light™, a Frequency Opera™ based on ancient and new scientific ideas and images about the Creation of the universe. The Budapest Cantate Choir will be singing with Dr Sapszon Ferenc conducting. The hour-long performance features a male and female chorus, singing bowls and percussion, with light and projection.
The Creation is told as a love story, where the original oneness engenders longing and appreciation as it begins to split into all of the parts of the manifest world. The work is a reminder of the sheer beauty and wonder of creation and how the more we understand, the more mysterious and beautiful it becomes.
I first wrote about The Birth of Color nearly a year ago, after a chance meeting with Honora Foah, the creative mind behind the project (Budapest Times, 16 October 2015). She explained the concept of a frequency opera to me and I wrote: As far back as 10 000 years ago, the Vedas spoke of the world being made of vibration, so this isn’t new. But add the scientific discoveries of quantum physics to this ancient wisdom, and you have the makings of a frequency opera. Foah spoke then of her hopes to premiere the opera in Budapest at the Kiscelli and she’s made it happen.
The wires are buzzing. The curious are waiting. The planets are aligning for the world’s first Frequency Opera. So much so that art and music critics are coming to Budapest solely for the premiere. The composer Lucio Ivaldi will also be here as will Pulitzer-nominated poet David Brendan Hopes, lyricist for The Birth of Color.
Be it post-modernist or contemporary, this artistic performance promises something different. Come and bear witness.
After many delays, tickets for the Premiere of this amazing multi-media Frequency Opera are now available.
Performances at the Kiscelli Museum, Budapest on 7–9 October: Unmissable! Café Budapest - detailed program
Republished with permission
The Birth Of Color – Premiere, Kiscelli Museum, 7 October