'Company of Wolves', Palace of Arts, 9 April

The forest is buried in us all. It is an analogy of living nature. It embodies everything which is dark, foreboding, secret or secretive, hidden, unknown and unconscious. It is frequently frightening but despite this scarily attractive. Fear of sexuality, men, true life – by the same token, a single minded obsession for these things creates tension in the vulnerable girl which she must understand and release.

Little Red Riding Hood must pass through the forest. The wolf embodies the ancient, uncivilised, animal characteristics of man, without morals. If it is hungry, the wolf eats; if it is aroused, it mates. The hunter is modest and conscious, his behaviour is human. He is a rescuer, heroic and a legalised murderer. He is the judging angel of the animal hidden in man. In his eyes, all wolfs are equally guilty.

Neo-opera-, circus-, dance-theatre
(For over 16 year olds only)
Creators/Performers: Ágens, Tamás Bakó, József Csapó, Gergő Erdei, Márton Fábián, Dávid Fekete, Attila Gergely, Bea Gold, Zoltán Józsa Bambi, Gergely Kis, András Korompai, Gergő Magyarkuti, MÉHEK – Csaba Méhes and Gábor Hargitai, Ferenc Potocki, Anna Réti, László Rumi, Dániel Szász, Bálint Turai, Ádám Zambrzycki
Composer: Albert Márkos
Set designer: György Árvai
Lighting designer: Péter Gerzson Kovács
Costume designer: Kriszta Lőrincz
Texts: Krisztián Peer, Ágens, Gábor Goda
Video: Antal Bodóczky, Ernst Süss

Leaping expert: Szöcske
Stilts expert: László Rumi

Special tools, spatial elements: Janka Haraszti, Gábor Kocsis, Tóbiás Terebessy

Set execution: István Oldal
Production assistant: Anikó Rácz
Director’s assistant: Bea Gold
Director-choreographer: Gábor Goda
Patrons: National Dance Theatre, NKA"

Source: Palace of Arts