Costume designer Edit Szűcs and her disciples from MOME created fabric compositions from special materials, which the members of Rita Góbi's company bring to life.

The focus is on loneliness, enclosure and abandonment, with the outfits and the dancers' bodies playing the main role. aUTONOME zONE is a radical, poetic penetration behind the fabric itself; in order to achieve fabricless value and an emotional charge in which the dancers and the outfits surrounding them are united.

The South American trailblazer of documentary theater, Lola Arias introduces Hungarian audiences to the reality of the Argentine Peron's dictatorship on the 27th and 28th of November with her play entitled My life after. The artist treats the subject with a social sensitivity similar to Cărbunariu.

Not only does the performance deal with the story of a community, but her own personal story as well, delivering an ambiguous interpretation of a slice of her homeland's history. The focus is on the parents' lives and the way their children view them and their era.

Children of oppressors, the oppressed, former servants of the system and the people rebelling against the system, making peace with one another. My life after achieved huge success across the globe and after the performance's debut, the director was approached to produce a number of similar pieces. The fruit of this led to last year's performance of The year I was born.

Lola Arias now follows up the success of last year's performance with another play at the Trafó.

In order to establish the context of the play, Tibor Kovácsy of Magyar Narancs will be giving a lecture on Argentina on the 28th of November at 6:30 PM.

More information: trafo.hu