Besides her painting oeuvre, spanning eight decades, she was the author of many books on art theory, published and illustrated volumes of poetry, while teaching at universities and making scenery and costume designs for dance performances.

Her versatility and erudition captured those around her, and her presence filled every space she inhabited.

The maturity and elegance of her works, their solid forms, vivacious colours, dynamism, witty motives and mythical symbols are all projections of her completely self-identical and multifarious personality.

The exhibition at the Műcsarnok can be regarded as the most comprehensive presentation of her art ever to be staged in Europe.

The displayed works span from the earliest pieces, representing the start of her career, to the paper-based composition of 2016 from the late stage of her art, showcasing Gilot’s main periods, themes and series.

Presented here are seminal mementos of her oeuvre, such as a dramatic self-portrait conceived in her initial period, when she still lived with Picasso, one of her first lithographs made in the legendary Parisian studio of Mourlot, her monumental floating canvases from the eighties, and pieces of her Wanderer, a prominent series of the nineties, which can be seen together again after a long time.

The exhibition also pays tribute to the artist’s close friendship with Endre Rozsda, since it is owing to this special relationship that Gilot developed a love and attachment towards Hungary, and that she was present in the Hungarian art scene in recent decades.

A noteworthy fact proving the latter is that the exhibited material almost exclusively comprises loans from Hungarian private collections.

Source: Mucsarnok.hu
1146 Budapest, Dózsa György út 37.